RED ROOM (2025-2026)-I heard a song that said, “I got a red room, it is the red hour, when the sun sets in my bedroom; feels like I’m inside a flower, feels like I’m inside my eyelids. And I don’t wanna be anywhere but here” (Hiatus Kaiyote). To me a red room is a space of safety and warmth, of inner creation and connection.
“Red Room” is a series that documents women artists in their studios, capturing practice, product, and creator.It examines how an artist’s internal thoughts are reflected in their physical space—the design, organization,and creations all becoming extensions of the self. Each object in the studio merges to create one living piece of art, morphing, expanding, and contracting to reflect the artists’ current state of mind. Entering these spaces “feels like I’m inside (they’re) eyelids”, as though I’m stepping inside the artists’ minds, experiencing their ideas and emotions in tangible form.
The series aims to show the artist studio as more than a room - its the subset of art that comes from the creation of art itself, a physical representation of the evolving mind, a womb of creation, a sanctuary of free expression. It’s a Red Room, where the artist feels safe enough to convert mere thought into tangible form.
When We Were 21 (2024)- My first photo series where I step into the personal spaces of new and childhood friends, highlighting the transition of girlhood into adulthood. Through a yearlong documentation of my friends in their rooms at twenty one years — whether in childhood homes, dorms, or first apartments— I aim to capture the stillness and nostalgia present before the inevitable shift and change that come with age.
